In recent revelations, footage featuring the rap group Kneecap that allegedly incites violence against British Members of Parliament (MPs) has been brought to the attention of law enforcement officials. The Metropolitan Police have stated that they are currently assessing the controversial video which reportedly shows a member of the West Belfast trio at a concert in November 2023 publicly proclaiming, “The only good Tory is a dead Tory. Kill your local MP.” This inflammatory statement has raised alarm and highlighted the group’s contentious public image.
The situation escalates further with the emergence of another video, which surfaced after the initial footage. This second clip, believed to be from a different performance in November of the previous year, allegedly features a group member shouting slogans in support of militant groups, specifically “up Hamas, up Hezbollah.” Both organizations are classified as terrorist entities within the United Kingdom, making any expression of support for them a serious offense. Consequently, the videos have sparked intense scrutiny from both the public and authorities.
In response to the unfolding situation, Kneecap has taken to social media, asserting that they are victims of a “co-ordinated smear campaign.” This claim reflects a defensive stance against growing criticism and illustrates the complex interplay between art, freedom of expression, and incitement to violence. Kneecap’s provocative lyrics and performances have often been polarizing, but they insist that their artistic endeavors aim to address social and political issues rather than promote violence.
The implications of such statements are grave, as emphasized by a spokesperson from the Metropolitan Police. The official noted that their unit became aware of the video on April 22, 2025, and referred it to the Counter Terrorism Internet Referral Unit (CTIRU) to evaluate the need for further investigation. This reinforces the seriousness with which law enforcement is treating the video’s content, reflecting societal concerns over the safety and integrity of elected officials.
Political responses have also been swift. A government spokesman denounced any threats made toward individuals, underscoring the importance of maintaining a democratic society free from intimidation and violence. The spokesman emphasized that every report of harassment or intimidation is taken seriously, with agencies working collaboratively to mitigate such threats.
Criticism has come from a variety of political factions, including the Democratic Unionist Party (DUP). Party leader Gavin Robinson called for an investigation into Kneecap’s actions, labeling their expressions as promoting sectarianism and glorifying violence. Robinson’s remarks indicate a wider political consensus regarding the inappropriateness of such incendiary rhetoric no matter the context in which it is presented.
Amid these controversies, Kneecap, which consists of members Liam Og Ó Hannaidh, Naoise Ó Caireallain, and JJ Ó Dochartaigh, has endured substantial backlash that extends beyond the United Kingdom. Recently, they faced public outcry for displaying messages related to the Gaza conflict during their set at the Coachella Valley Music and Arts Festival, an event that drew international attention. This has led to calls, notably from Sharon Osbourne, to revoke their work visas in the United States, resulting in the termination of their contract with Independent Artist Group (IAG), their former booking agent.
In a defiant response to the backlash, Kneecap pointed out the gravity of conditions in war-torn regions and asserted that aggressive rhetoric was not theirs, dismissing the notion that their statements equate to calls for violence. They have indicated that their touring plans, including a highly anticipated October tour in North America, may now face complications, as they navigate the fallout from criticism and potential legal ramifications stemming from their statements and performances.
This ongoing situation illustrates the delicate balance artists must maintain between freedom of expression and societal safety. As Kneecap prepares for their upcoming engagements and legal battles, the discourse surrounding their work highlights broader issues related to the responsibilities of public figures in an increasingly polarized world.