Claire van Kampen, a distinguished British theatre director and composer, has passed away at the age of 71, as confirmed by her husband, acclaimed actor Sir Mark Rylance. Her death was announced following her battle with cancer, which concluded in the German town of Kassel, surrounded by her loved ones, including her husband and daughter, Juliet. Van Kampen’s passing coincided with Sir Mark’s 65th birthday, a poignant detail underscored in the statement shared on their behalf. The family remembered her fondly, describing her as “one of the funniest and most inspiring women we have ever known.”
Throughout her illustrious career, van Kampen broke barriers in the theatre world. She was notably the first female musical director at both the prestigious Royal Shakespeare Company (RSC) and the National Theatre in London. Her exceptional talent led her to write the critically acclaimed play “Farinelli and the King,” which not only starred her husband, Sir Mark Rylance, but also garnered several nominations, including acclaim at the Olivier Awards and the Tony Awards. This production became a testament to her versatility and creativity within the performing arts.
In her final moments, van Kampen was celebrated for her ability to fill the lives of those around her with magic, music, laughter, and love. Her family expressed deep appreciation for her impact, stating, “We thank her for imbuing our lives with her magic, music, laughter, and love.” They lamented the loss, acknowledging that “one of the great wise ones has passed,” underscoring her profound influence and wisdom in the world she cherished.
Claire van Kampen and Sir Mark Rylance wed in 1989, a year significant not only for their union but also for her contributions to the theatrical landscape, as she composed the music for RSC’s production of “Hamlet,” in which he played the lead role. Their partnership both professionally and personally illuminated their shared passion for the arts, crafting a legacy that would inspire many.
Van Kampen’s contributions to theatre extended far beyond her early accomplishments. She composed original scores for numerous Broadway productions, including “True West,” “Boeing-Boeing,” and “La Bête.” Her work on adaptations of Shakespeare’s timeless plays such as “Twelfth Night” and “Richard III” showcased her understanding of classic literature and her talent for reinvigorating these narratives for contemporary audiences.
Her journey in music and theatre began with formal training at the Royal College of Music in London, where she studied music theory and piano. After earning her credentials, she made her entry into the Royal Shakespeare Company in 1986 and quickly transitioned to the Royal National Theatre the following year. Her career flourished as she became an artistic associate to Sir Mark Rylance at Shakespeare’s Globe, further solidifying her role within the vibrant theatre community of London.
As a testament to her lifelong commitment to the arts, van Kampen served as Globe associate and senior research fellow for early modern music. She also held the role of a creative associate at the Old Vic Theatre, contributing to a myriad of projects that enhanced the cultural landscape of London. Additionally, her expertise was called upon in the historical drama series “Wolf Hall,” for which she acted as a Tudor music advisor and arranger.
Van Kampen was not only a figure of artistic merit but also a devoted mother. She had two daughters with her first husband, architect Christopher van Kampen. Tragically, her daughter Nataasha, a filmmaker, passed away in 2012 at the young age of 28 due to a brain hemorrhage. This personal loss was undoubtedly profound for Claire, and it added layers to her resolve and creativity in her career.
The theatre world has lost a luminary with the passing of Claire van Kampen, whose contributions will echo in the annals of British theatre for generations to come. Her legacy is marked by groundbreaking achievements, joyful collaborations, and an unwavering spirit that inspired all who knew her.
